“‘Crimes of the Future’ doesn’t offer the same opportunities of mid-2000s highlights like ‘A History of Violence’ and ‘Eastern Promises,’ but Mortensen balances the ridiculous and the sublime like few others.”
“Perhaps David Cronenberg is owed another kind of reputation: that of a humanist filmmaker who observes and questions, who understands our pain and sorrow as well as our ambitions both intellectual and libidinous.”
“Nomi of ‘Showgirls’ and Betty of ‘Mulholland Dr.’ seem to be communicating with each other across space and time, from entirely different films yet resolutely from within the same universe.”
“Despite its storytelling flaws and omissions, ’64 Day Hero’ is a must-watch for the boxing documentary completist.”
“The old silver screens have reached their limit, and even 4K will become passé. Perhaps it’s time for Hollywood and theater chains to up the ante by investing in venues and screens similar to the Volume.”
“‘Once Upon a Time in Calcutta’ speaks to West Bengal’s eroding cultural and artistic history in the face of modernization, due to greed and a capitalist attitude of advancement at all costs.”
“‘Master’ certainly won’t be collecting an Academy Award for Best Screenplay, let alone a nomination. Even so, the film is worth a look.”
“Poehler makes certain to strike a steady and careful balance between Ball and Arnaz in ‘Lucy and Desi,’ allowing them to share the spotlight in a meaningful way far more satisfying than any loose-with-the-facts biopic fictionalization.”
“Few artists have dreamt more boldly and defiantly in their exile than Ferrara; he has faced up to the dark towers of commerce and coercion, the systemic violence that is rationalized and sanctioned to peak efficiency by the prevailing conditions.”
“‘Downfall’ accomplishes Kennedy’s principal goal: it shines a bright light into a dark place.”
“Hanna Bergholm’s feature debut ‘Hatching’ is a satisfying creature-feature delight.”
“The year 2012 was the first in which cinema could adequately assess the material and psychological toll of the crash. The box office tells its own story: audiences were looking for saviors…”
“‘Hot Fuzz’ has remained a key part of the zeitgeist thanks to its specificity, but also because the movie celebrates doing the right thing, working together and being a good person above all else.”
“The power of ‘Coach to Vienna’ today rests in its mythic quality. The crux of the story may well be placed in the ‘real,’ but the affect of the mise-en-scène is that of a murderous fable.”
“‘Everything Everywhere All at Once’ nearly wears out its welcome, but as far as hot dog-fingered audacity goes, the Daniels will make plenty of new eyeballs go googly.”
“‘Into the Night’ is a valuable resource for the ‘connoisseur of fear.'”
“In ‘Mass’ and ‘The Humans,’ the single location is used as a platform for ideas that seek universal understanding and collective empathy.”
“‘Cow’ strikes just the right balance between the filmmaker’s self-awareness, which punctuates the movie’s soundtrack selections, and Arnold’s long-game feminist commentary.”
“‘Jesus of Nazareth’ is precisely a film of moments, and Zeffirelli depicts them with expert technique.”
D.M. Palmer on the career women of ‘9 to 5’ (1980), ‘Baby Boom’ (1987), ‘Big Business’ (1988), ‘Working Girl’ (1988) and ‘Disclosure’ (1994).
