Fantasy and Reality in Ben Hozie’s ‘PVT Chat’
“Hozie nails the greener-grass metaphor in ‘PVT Chat’ with a clarity that reminded me of the last lines of James Joyce’s ‘Araby.'”
‘Valentina’: Cássio Pereira dos Santos’ Refreshing Debut Feature on Brazil’s Trans Youth
“Though somewhat imperfect, Pereira dos Santos’ first feature shows promise and is a testament to his ability to portray queer characters with granular subtlety and political meaning.”
Embracing Imperfection: ‘Bridget Jones’s Diary’ Turns 20
“‘Bridget Jones’s Diary’ is heartbreaking and life-affirming in equal measure, which is a difficult balance to pull off, particularly in a movie that frequently treats its protagonist quite harshly.”
The Master’s Voice: Gregory Monro’s ‘Kubrick by Kubrick’
“‘Kubrick by Kubrick’ has the effect of placing the notoriously particular and media-shy subject in the room with the eager listener/viewer.”
Why Criticism: The Difficulties of Depicting Genocide in ‘Quo Vadis, Aida?’ and ‘La Llorona’
“Roger Ebert once wrote ‘it’s not what a film is about, it’s how it is about it,’ and it’s this phrase that I usually return to when thinking about cinema that deals with humanity’s worst impulses.”
Caught in a Bad Romance: On Psychological Horror and Visual Design in ‘Nina Wu’
“‘Nina Wu’ isn’t just a ‘#MeToo thriller’ or ‘slow burn cinema,’ it’s a progressive spin on psychological horror and a master class in visceral visual design.”
How Questions of Exploitation Stain the Triumph of ‘Grey Gardens’
“The utter sadness of Little and Big Edie’s story is why ‘Grey Gardens’ is so moving — direct cinema allowed this story to be explored with a level of intimacy previously unavailable.”
Mannhunting: Exploring Masculinity in the Films of Michael Mann – Part One
Mannhunting #1 by Bill Bria: “The protagonists and antagonists in Mann’s films tend to be mirror images of each other, all of them caught within masculinity’s shackles.”
Somewhere, There Is a Shelter: Queer Futurity in Faraz Shariat’s ‘No Hard Feelings’
“‘No Hard Feelings’ takes queerness as a given, capturing queer joy onscreen while never losing sight of the stark realities of migrants seeking refuge in a still highly xenophobic Europe.”
An Elegy of a Turbulent Phase: On Sudhir Mishra’s ‘Hazaaron Khwaishein Aisi’
“‘Hazaaron Khwaishein Aisi’ bears the unmistakable stamp of an artist at the very apogee of his creative prowess.”
Why Criticism: Can Film Criticism and Awards Season Co-Exist?
“Many of us may miss the drama of awards season, but there are untold benefits to criticism if it continues to evolve away from its current state.”
Put Your Hand Down, Little Steve: ‘Get Over It’ at 20
“Looking back on early-2000s fare, ‘Get Over It’ stands out as smarter, sweeter, funnier and weirder than many of its contemporaries…”
A Wild Ride in the Bullpen: How a Young Pedro Almodóvar Upended Genre and Gender
“For all the praise showered on Almodóvar’s later work, it lacks the wildness, freshness and exuberance of his 80s filmography, which often feels unfairly overlooked as a result.”
Sharp Wits and Sharp Swords: How ‘Love & Friendship’ and ‘Pride and Prejudice and Zombies’ Reveal Jane Austen’s Savage Side
“Jane Austen’s stories are already more pointed and complex than many people give them credit for, but two 2016 film adaptations took that caustic tone to new heights…”
Nuns and ‘Dark Habits’: Spoiling God’s Servants
“By spoiling God’s servants with sex, drugs and doubt, films like Almodóvar’s ‘Dark Habits’ show that earnestly criticising the Catholic Church’s crimes is not the only way to weaken centuries of unchecked supremacy.”
Black Gold: Cinema, Wealth and Blackness
Brian Brems on ‘The Treasure of the Sierra Madre, ‘Da 5 Bloods’ and ‘Trespass’
Strength, Solidarity and Grace: Pedro Almodóvar’s ‘Volver’ Is an Ode to Womanhood
“Pedro Almodóvar adores women, and he’s a champion of feminism. In no other film is the Spanish filmmaker’s reverence for the female gender more evident than in the 2006 drama ‘Volver.'”
Antonio and Almodóvar
Fedor Tot on Pedro Almodóvar’s Collaborations with Antonio Banderas
Director on the Verge of Change: The Controlled Chaos of Pedro Almodóvar’s ‘Julieta’
“One of the great pleasures of watching any Almodóvar film, but especially ‘Julieta,’ is studying its expressionistic textures…”
A Quest for Companionship: On Aditya Vikram Sengupta’s ‘Labour of Love’
“What comes to the fore in ‘Labour of Love’ is the difference between hearing and listening.”
