Of Love and Other Demons: ‘Mamma Roma’ (Pier Paolo Pasolini, 1962)
The Second Installment of Justine A. Smith’s Column on Love and Erotica in Cinema
Gaslighting and Moral Blindness in Christian Petzold’s ‘Phoenix’
“Phoenix’s devastating final scene pretty much erases a need for the specifics of the moral blindness.”
His Blazing Automatics: What’s Going on at Blumhouse?
A Column by Dylan Moses Griffin
Film Beat: Cafe Scene from Jean-Luc Godard’s ‘Vivre sa vie’ (1962)
Film Beat #1 by Phuong Le: Personal Recollections on the Brief Cinematic Moments That Refuse to Leave My Heart and Mind
Of Love and Other Demons: ‘Tabu’ (Miguel Gomes, 2012)
A Column on Love and Erotica in Cinema by Justine A. Smith
The Dueling Cavalier: ‘Magic Mike XXL’ is the Most Progressive Hollywood Movie in Ages (and It’s a Total Blast!)
A Column by Max Bledstein
Laughter in the Dark: John Cassavetes’ Comedies
Part 4 of “Tightrope Cinema: John Cassavetes’ Highwire World” by Phuong Le
We Failed This Film: David Fincher’s ‘Zodiac’
Part Two of a Series by Dylan Moses Griffin
How Louis Feuillade’s ‘Judex’ and Georges Franju’s Remake Created the Cinematic Language of the Caped Crusader
An Essay by Dylan Moses Griffin
Guns and Dreams in John Cassavetes’ Noirs
An Essay by Phuong Le