What’s new on Netflix today? This info article includes premiere dates for all the latest releases on the streaming service. Check out Vague Visages’ Netflix Originals section for cast guides and soundtrack song listings. Netflix continuously adds and removes titles from its library, but it’s the original productions that gain […]
“A fatalist flick like ‘Blonde’ — which, importantly, is not a biopic — and serial killer documentaries like ‘The Jeffrey Dahmer Tapes’ can at once be exploitative and insightful. Both things can be true.”
“Oxygen’s relevance strikes like lightning in a year when time is measured less by Earth’s tilt and more by first wave, second wave, red phase, yellow phase; not by time passing daily, but by how much danger remains in the room.”
How did the French film industry suddenly change its attitude towards Netflix? And how did Netflix become an advocate for film heritage preservation? Here’s a report by Alina Hirschhausen.
“Previous incarnations of Godzilla worked best by implanting ideas that were tangible. However, in the world of ‘Godzilla Singular Point,’ the ideas prove to be non-existent, as do the inhabitants.”
“Plenty of double-themed movies have been made over the years, but ‘Ride or Die’ seems like an ideal companion piece to ‘Persona.’ Both films are sexually provocative, and both require multiple viewings to better understand the perspectives of each female protagonist.”
“‘Army of the Dead’ is an algorithmic cleansing exhale in the wake of a whirlwind period in Snyder’s career. As a zombie movie, it’s a shallow, scattershot effort with interesting mythology ideas that don’t really go anywhere…”
“‘The Recruit’ season 1 feels like a holiday gift to loyal Centineo fans who frequently revisit ‘To All the Boys I’ve Loved Before’ (2018) and its sequels.”
“‘Night in Paradise’ isn’t the ideal movie for locked-down streamers, but it’s one that challenges audiences to find silver linings in dark life experiences.”
“Whereas many Netflix acts are so clearly designed to address cultural topics A, B, and C — whether it’s politics, social media, or celebrity culture — Regan riffs away with evergreen observational humor that gives ‘On the Rocks’ a timeless quality…”
“Bargatze delivers a strong one-hour set in ‘The Greatest Average American,’ even if he seems more interested in referencing his family and friends than owning the stage with original bits.”
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