Vague Visages Is FilmStruck: Marshall Shaffer on FilmStruck’s ‘Black in America’ Collection
The Conclusion of Marshall Shaffer’s #FilmStruckFebruary
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On Growing Up, First Love and Learning in ‘An Education’ and ‘Call Me by Your Name’
A Comparative Essay by Ellie Steiner
Review: Alex Garland’s ‘Annihilation’
“‘Annihilation’ is far from indecipherable, as it counts on its ability to be understood.”
Vague Visages Is FilmStruck: Marshall Shaffer on Ingmar Bergman’s ‘Silence of God’ Trilogy
“I’m convinced that understanding the progression is a crucial bridge in any attempt to understand how the two distinct portions of Bergman’s filmography interact.”
Berlinale 2018: Perspektive Deutsches Kino – No Safe Space
“Under the direction of the gutsy Linda Söffker, the Perspektive Deutsches Kino continues to tell some of the most interesting stories at Berlinale.”
Vague Visages Writers’ Room: Weekend Vibes 2.23.18
Weekend Vibes is a Friday column about streaming recommendations, new release hype and entertainment events.
Berlinale 2018 Review: Wes Anderson’s ‘Isle of Dogs’
“While messy in parts and offering more of a sprint than a narrative marathon, there is great heart and ferocious energy in this cartoonish caper.”
Berlinale 2018 Review: Laura Bispuri’s ‘Daughter of Mine’
“Messy and real, touching and convincingly brought to the screen, ‘Daughter of Mine’ is a joyous, heart and mind-expanding film.”
Vague Visages Is FilmStruck: David Pountain on Howard Hawks’ ‘Bringing Up Baby’
“‘Bringing Up Baby’ delves joyfully beyond the stiff pretences of modern life to reveal the wild and lustful animal that still lies beneath the surface.”
Review: Francis Lawrence’s ‘Red Sparrow’
“In post-Hunger Games mode, Jennifer Lawrence continues her streak of pushing the envelope.”
