New York Film Festival Review: Paul Schrader’s ‘First Reformed’
“The multi-hyphenate filmmaker’s latest seems to anticipate dissection: its formal austerity belies a haphazard, literary-minded indulgence.”
CIFF After Dark Review: Oliver Kienle’s ‘Four Hands’
“‘Four Hands’ is sublime and arresting in its imagery.”
CIFF After Dark Review: Giddens Ko’s ‘Mon Mon Mon Monsters’
“‘Mon Mon Mon Monsters’ actually inspires and entertains while pointedly dealing with a subject that hits close to home for many.”