My Summer of Kirsten Dunst: Volume 3
“Between ‘Elizabethtown,’ ‘Marie Antoinette’ and ‘Spider-Man 3,’ Dunst’s life and art begin to imitate each other.”
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Photo Essay: ‘Fargo-Moorhead St. Patrick’s Parade 2017’ by Q.V. Hough
“When I moved back to Fargo, I began thinking more about visual themes, which ultimately inspired Vague Visages.”
‘It Comes at Night’ and the Trouble with Horror Movies That Don’t Fit Into a Genre-Specific Box
“The new wave, as it is wont to be called, is something to be celebrated, not miscategorised out of ignorance.”
Devious Dialogues: Mike Thorn and Anya Stanley on Stephen King’s ‘It’
“It’s a good year to be a Constant Reader.”
Photo Essay: ‘Back on the Boulevard’ by Q.V. Hough
August 2016
Vague Visages Is FilmStruck: Q.V. Hough on Federico Fellini’s ‘8 1/2′
“The moments of realization transcend the typical viewing experience.”
Review: Christopher Nolan’s ‘Dunkirk’
“As a portrait of differing wartime experiences, ‘Dunkirk’ is too plot-oriented to be successful.”
A Musical Necropic: Todd Haynes’ ‘Superstar: The Karen Carpenter Story’
“It’s done critically, sympathetically and with a demand from the viewer to take responsibility for their role in the story, too.”
Review: Esteban Crespo’s ‘Amar’
“‘Amar’ is passionate without being pretentious.”
Vague Visages Is FilmStruck: Jeremy Carr on Federico Fellini’s ‘La Strada’
“Fellini’s films often flourished with acute ruminations on life and society, but rarely would his work achieve this degree of pure emotion.”
